Motto

"All the time I'm not writing I feel like a criminal." -Fran Lebowitz

Friday, September 30, 2016

OHO Update - September 30, 2016

If I had to list the ten things in life that give me joy, I’m not sure what those ten things would be, or if I could even reach ten things. I know, however, that sitting around a circle with a group of actors listening to them speak my words for the first time would be on the list. Probably somewhere on the list below “sex” yet above “espresso gelato.”

I love table reads. They're relaxed, but also official. They're the first chance for everyone to look around the circle and say, "This is the team that's putting this together." It's printed scripts, highlighted roles, cold reading. It's the first time the script is "up on its feet." It's the first time the script comes to life, even if it's a casual way - with the cold reading being cold...

Next Tuesday will be the first two table reads of One Hour Outcall. In the morning, the read will be the actor cast to play the female lead and me. Given that the two of us go head-to-head for half of the script, it makes sense to have a separate read with just the two of us reading those scenes. So that’s not quite a circle, but still, something that I’m eager to experience. I’m nervous about matching up with the actor’s talent, excited to see how the story flows and intrigued as to whether or not I can write “straight” dialogue, as with One Hour Outcall I challenged myself to write without relying on witty banter. 

Tuesday afternoon, the entire major cast (and most of the full cast) will arrive, and we’ll do the whole script. That’s the circle part. While I’m always nervous about how the words sound out loud for the first time, and confident I’ll hear a thousand things I want to rewrite, the circle part is always fun. Always fun.


Yeah. Definitely on the list. Maybe I'll celebrate with gelato.

Saturday, September 24, 2016

OHO Update - September 24, 2016

I am pleased to announce that all the major roles for One Hour Outcall have been cast. It's a very, very talented group of artists with only one weak link - the dude who wrote the script.

Hey, that's me! Uh-oh.

Seriously, filling the final primary role was a thrill, and definitely has me excited for what's to come.

There are several other roles still left to be cast, however. So if you're an actor looking to participate in One Hour Outcall, keep paying attention to this blog for more information and updates.

Thanks.

Thursday, September 22, 2016

OHO Update - September 22, 2016

A brief update on where the production's at...

Pre-production continues apace on One Hour Outcall. We are still finalizing the cast, which is shaping up to be terrific. The final major role should be set by week’s end. We are in the final stages of breaking out my script and establishing a schedule. We are working on obtaining locations and raising the funds...

…which brings me to my next plea to you folks. We have begun assembling contributions for the budget, and things are going well. But we still need your help. People have fretted that their contribution is too small, which is silly. No contribution is too small, and any donation you make towards this film touches my heart. Everyone has been so supportive of the quest to make One Hour Outcall a reality that I’m genuinely moved and thankful for everyone’s faith in me. 

So if you want to help, please contact me directly at 1ho.thefilm@gmail.com. I appreciate your even considering it.

Also, since we’re an independent production and could use any and all the help we can get from any direction, I wanted to let everyone know about the two primary locations we need, so if anyone has any suggestions, get in touch with me ASAP. The locations are:

An upscale, urbane apartment - something that is sophisticated and large. It doesn't have to be huge, but it can't be small. An open loft would be perfect. We would need the location for two weeks in November.
A restaurant - again, something upscale. Doesn’t have to be ’21’ but can’t be Denny’s. Preferably with a bar area as well. We would need this location for one week in November.

If you have any ideas, contacts, suggestions - shoot me an email.


Things are moving. If you’re reading this, you’re supporting us already. So thanks.

Thursday, September 8, 2016

OHO - September 8, 2016 Update

One Hour Outcall wrapped up its rounds of auditions on Friday and Tuesday. First off, T. and I want to thank all of the people who came in to read for a role. Everyone was so prepared, professional, and talented. In my limited experience holding auditions, I’m comfortable with them quickly running behind and turning into a cluster. I’m uncomfortable, however, with everyone being so tolerant with me when such inefficiency invariably happens. My biggest fear with auditions is that no one will show up. My second biggest fear is that people will storm out when things run late. Despite my fretting about keeping people waiting, I had a lot of fun. It was terrific to begin hearing the script read aloud by people other than me. However, I always manage to hear all of the bad writing I’ve perpetrated as a cacophony in my ears, and mentally noting all of the mistakes (513 and counting!) that I want to fix.

Aside from my own neuroses, it’s a pleasure to see how actors interpret my work. It was also my first chance to do some acting opposite potential scene partners, and no one threw anything at me unless their character was actually supposed to; it is meant to happen occasionally in this story. So that was fun. Memorizing lines, and the knowledge of how many I still have to memorize as things proceed - (sigh).

T. and I have some tough choices to make, but we’re committed to making them soon as we move forward. We’re hoping to have One Hour Outcall cast (all right, mostly cast) by early next week. No doubt having a cast more fleshed out will increase the momentum we’re building during pre-production, and I’m especially excited about all the talented people who are going to join us. Check back here for updates on that, and if you’re one of the actors who join the cast, be sure to start directing your people here and spreading the word about the project on social media.

Reminder: the film's Twitter handle is: @OHOfilm. Be our third follower!

Fundraising continues. People so far are very generous and supportive, but we’ve just begun and we've got a way to go, so if you’re interested in contributing, please let me know on Facebook, via email (1ho.thefilm@gmail.com), approaching me on the street, or however to let me know and we can talk about it. Please accept my thanks for your patience in hearing my pitch. Any contribution would help. Any help would help. It would mean a lot to me, not only for this production but as a sign that you’ve enjoyed my work in the past and like the voice I’ve been creating.


I’ll update you again next week, hopefully introducing you to some cast members, letting you know some prop/location assistance I could use, and announcing that the increased lack of sleep is affecting me only moderately.

Thanks for reading.

Tuesday, August 30, 2016

OHO - Update and Job Opportunities

Pre-production continues apace for One Hour Outcall. Auditions are set for this Friday, September 2nd, and the slots are filling up fast. If you’re interested, please read below posts for more information and contact me directly to make an appointment.

Fundraising for the project is ongoing, and people have begun graciously contributing. We’ll need all the help we can get to bring One Hour Outcall to fruition, so if you’ve got a mind to assist the project, by all means, let me know - any financial contribution would be welcome. I’ll be continuing to ask for your assistance, and I appreciate your consideration.

In addition to the budget, we are starting to crew up the film. We’re looking to form a tight unit to create a real guerrilla independent film, so we need people who have enthusiasm and energy. This is a script I’m quite proud of, and I feel can really be an interesting project on which to work. Regardless of your experience, if you’re interested in working with us in any of the below positions, email me directly at 1ho.thefilm@gmail.com.

The positions currently open are:

-Director of Photography
-Sound Designer
-Hair & Makeup Artist
-Boom Operator/Grip
-Production Assistants (including anyone who can begin work during pre-production, who may serve as a grip and/or be able to cook)


Again, this is an independent film and we’re looking for a can-do attitude, initiative, and energy. Production is tentatively slated for late October through mid-November. If you’re interested, shoot me an email, and please pass along to anyone you feel might be willing to work with us. Thanks!

Tuesday, August 23, 2016

OHO - Auditions Set

Auditions for One Hour Outcall are now set! 

The dates/times:

Audition: Friday, September 2, 2016 from 10a - 4p
Callbacks: Tuesday, September 6, 2016 from 10a - 4p

Location:
Hollywood Casting and Film
6900 Santa Monica Boulevard (at Mansfield)
Los Angeles, CA 90038
(310) 331-8730 (their phone #, not mine)

If you’re interested in auditioning, please check out the breakdown of the different roles in the post below, and email me directly at 1ho.thefilm@gmail.com with any questions regarding actor’s submission or if you’re interested in scheduling an audition.


Any questions, please let me know. T. and I are getting excited; hope you are too.

Monday, August 15, 2016

OHO - casting breakdown

One Hour Outcall is a feature film directed by award-winning filmmaker T. Arthur Cottam and written by William Norrett. The breakdown of available roles is below. We're hoping to have audition info (date/place) finalized by week's end. In the meantime, if you are interested, please contact Bill - hey, that's me! - at 1ho.thefilm@gmail.com. Please note:

1. Auditions will be held in late August/Early September.
2. Production will take place in late October/November. If you are not available for this period, please do not submit for this project.
3. We are attempting to make One Hour Outcall as a SAG ultra-low budget feature - with all that entails. If you’re not cool with that, please do not submit for this project.
4. Please make certain you read the breakdown of the role in which you are interested. If you’re uncertain about whether or not you can do what the role will ask from you, please do not submit for this project.

We look forward to hearing from you! 

Ana/Esmeralda - lead. Female, 22 to 27 years old, Hispanic.
A lead role; the piece is considered to be "her film." By day, Ana is an intelligent, self-confident, and gregarious senior at a prestigious university. By night, "Esmeralda" is a powerful, sophisticated, and sexy high-class escort. No matter when it is, she's personable, sharp, and always in control.This is a complex lead role giving the actor cast an opportunity to show a wide range of emotions and verbal dexterity.

Graphic sexual situations and nudity. This is NOT a pornographic project or exploitation film, this is a serious film by an award-winning director who has years of experience with provocative subject matter. The production is committed to making all actors feel safe and comfortable. However, if you are uncomfortable with nudity and sexual content, please do not submit for this project.

Shannon - featured. Female, 22 to 27 years old, white.
This is a challenging role for an actor who's required to remain sympathetic while doing unsympathetic things. Shannon is a smart, opinionated, and edgy college senior whose relationship with her father has been estranged ever since he divorced his mother when Shannon was 12. Gregarious with her friends but slightly cold with her father, Shannon is capable of being a young adult, or an oversized child.

Stacy - featured. Female, 42 to 52 years old, white.
This role requires charm, wit, and wisdom, with the memory of a failed marriage suppressed beneath the surface. Stacy is an intelligent and ambitious professional woman celebrating the college graduation of her daughter, and dealing with seeing her ex-husband for the first time in over a decade.

Gabriel - featured. Male, 21 to 27 years old, Hispanic.
This role requires an actor with personality and charm. Gabriel is a college junior tagging along with his girlfriend to her graduation dinner. Relaxed, charming, and intelligent, he's unintimidated by the prospect of meeting her parents for the first time.

Ellery - featured. Male, 21 to 27 years old, white.

This is a role for an actor with a sense of humor and attitude. Ellery is an intelligent, goofy, and self-entitled college junior who doesn't cow-tow to anyone, a boyfriend tagging along to an uncomfortable dinner with parents he's never met before.

OHO Update - August 15, 2016

Greetings, everyone! Thanks for taking a look at the first update on the ongoing production of One Hour Outcall. Check back here as things move forward; I’ll be posting progress reports, diary entries, and various other sundries to keep you all informed.
     
Things have officially kicked off, and my mindset constantly bounces back and forth between “We have time,” and “Oh, crap, we’re running out of time!” There are a lot of moving parts to independent film production. It feels like I’m trying to herd several different animals in a line so that no one gets left behind.

Many of you received the initial announcement last week. As mentioned, I plan to raise $40,000 to see us all the way through submitting for festivals, so if you’d like to help, please get in touch with me. Know that your contribution will go towards creating a dynamic, unique independent film, and a further building of my creative voice. It’s my most ambitious project to date. I will need all the help I can get.

T. Arthur Cottam, One Hour Outcall’s director, and I met last week for a terrific “kitchen sink” pre-production meeting, which means we talked about everything, and then I realized fifty things that we forgot to talk about five minutes after I drove away. We’ve talked again since. T.’s busy this week breaking down my script, with an eye towards production taking place between late October and November.

Much of what we discussed had to do with casting, of course. If I do say so myself, One Hour Outcall has several challenging, meaty roles for actors - especially for women. We’re shooting to have auditions by month’s end, and I will post the breakdown of available roles later today. When I do, please take a look (please read carefully), pass along to anyone you think might be right, and if you’re interested, please email me at 1ho.thefilm@gmail.com.

Our social media’s beginning to grind. If you’re not following on Twitter, the handle is @OHOfilm - follow, RT, all that jazz. If you haven’t “liked” the Sophisticated Rogue Media page on Facebook already, get on over there and do so. I'll strive to make One Hour Outcall’s presence known on social media so we can build momentum as production approaches.

Okay, that’s it for now. My split brain continues to battle itself.

“We have time.”


“Oh, crap, we’re running out of time!”

Wednesday, August 3, 2016

Sophisticated Rogue - Summer Update & an Announcement

Hello, fan(s) of Sophisticated Rogue-

I hope this summer finds you well, or at the very least, not yet melted into a pool of viscous, human goo. Thanks for checking in; I’ve always appreciated your support. I know, I know. Since my trip ended last year, I’ve been sporadic in my postings. Believe me; I have my reasons!

Hence this post! I wanted to give you a quick update on my artistic endeavors. Rather, one update and one announcement.

First, the update: I’ve been working hard on a memoir detailing that trip I took, the one where I visited 27 countries around the world from July 2013 - April 2014. If you’re a reader of this blog, you know the one: I wrote a bunch of playlets about getting yelled at by immigration officials and posted a bunch of selfies of me smirking in front of Great Wonders of the World.

Yeah, that one. The memoir is tentatively entitled Forget the time.

Now, I’ve been writing-

(Yes, I know you capitalize words in the title of a book. Yes, I know titles of books don’t have punctuation. Yes, you should infer from the lack of capitalization/inclusion of a period in my tentative title that I'm literarily rebellious. Now-)

-I’ve been writing steadily, putting down a lot of words, and growing more and more pleased with how the memoir is developing. It’s been great to re-live the journey, having memories both good and bad sparking the writing and proving to mean something significant even after my return.

I expect to have a finished draft within 2-3 months and am hoping to publish the finished book sometime in 2017. Please check back here for more updates, including when you can pre-order and other such stuff. Seriously, I grow prouder of this book each day I work on it. I believe Forget the time. (the title will make sense, I promise) will be funny, poignant, and (dare I say it) inspiring? If you enjoyed following my postings during those months, or you’re curious about international travel, or you’re just looking for Eat, Pray, Love for dudes, I predict you will enjoy Forget the time

(Relax. The title’ll grow on you.)

Now then, the announcement. Having conquered the world of theater and fiction, and in the process of vanquishing the world of memoir, next up is cinema. I want to let you know about my upcoming feature film project, One Hour Outcall.  A sophisticated, sexy drama, One Hour Outcall deals with the relationship between a high-class escort and her customer who meet every Thursday from 8-9 p.m. over the course of an entire year. Tensions increase when it’s revealed that the college roommate of the escort is the client’s estranged daughter. One Hour Outcall deals with guilt and power and unfolds in a unique, non-linear style.

Award-winning filmmaker T. Arthur Cottam has signed on to direct. Cottam’s films have screened at over 100 film festivals around the world, including AFI Fest, Austin Film Festival, Edinburgh Film Festival and Milan Film Festival.  His latest feature, Pollywogs, is currently playing on Amazon Prime.

Production for One Hour Outcall is scheduled for October 2016. I have established a $40,000 budget which will cover (but is not limited to): salaries for cast and crew, equipment rental, location fees, costumes, props, editing and other post-production costs. A subsequent campaign to find distribution and release through festivals and other avenues will ensue.

I believe One Hour Outcall is an excellent script to make a fresh, independent feature film. I’m proud of my writing in this piece. I’ve challenged myself to write something edgy, dramatic, and meaningful. I’m determined to execute an inventive idea within a reasonable budget, and I am excited to find an audience using every method available to a filmmaker today. 

I plan to update this blog with a One Hour Outcall diary of sorts, posting once a week or so about the progress of the production, from raising funds, to casting, through shooting and post-production. I’ve wanted to produce a feature film ever since I was a teenager, so as we move forward, I’m going to be writing about my attempt to fulfill this dream. Also, as we’ll be trafficking in the world of micro-budget filmmaking, I’ll be reaching out to anyone and everyone for help in all sorts of ways. If you’re interested in how to help, my email for the production is  1ho.thefilm@gmail.com, and the film’s Twitter handle is @OHOfilm.

So, there you go. Consider yourself updated, and announced. Thanks again for supporting my work, and check back here as I become less sporadic.


billy

Thursday, October 29, 2015

Roll the Dice, Write a Novel

“You gotta have a gimmick.” -Ethel Merman

It was early October. October is the month I have come to dread as “The Birthday Month.” My mother, my sister-in-law, two of my nieces, each of them have birthdays in October. Four birthdays in 31 days? That’s like cruel and unusual, no? Because of this, I only date women whose birthdays are in winter.

My oldest niece’s birthday was up first, and it was imminent. Per usual, I had left buying her present to the last minute. Per usual, I had no idea what to give her. Per usual, I was putting too much pressure on myself to get something “cool” for her.

Now, I struggle buying birthday and Christmas gifts for anyone; I find it difficult to buy something in a store or order something online that shows a personal consideration for someone, a special, singular meaning that represents our relationship to each other, and I cannot knit.

My nieces pose an especially tough challenge, however. Since they’re all still young and thus growing in their size and developing in their tastes, I’m convinced that most presents would prove only a fleeting enjoyment. Any article of clothing, they’d grow out of in six months, any toy they’d grow bored by in two weeks.  More importantly, I aspire to be the "cool" uncle who gives them gifts that strike a balance between entertainment and education. "Cool" didn't mean simply "fun," then, it meant "fun" and "advanced" and "meaningful." My oldest niece has begun writing stories, for instance, and I’m always eager to encourage her and her sisters’ artistic sides. Thus, I want gifts from me to be the ones that give them enjoyment while also making them well-rounded people, ones that inspire as well as entertain.

Because let’s be honest, not only do I want them to become well-rounded people, but I’m fully aware that as well-rounded people, they would acknowledge my role in helping them become well-rounded people. Credit where credit is due, no? A gift for them becomes a gift for me, win-win, right?

A tough challenge, however. So, my search for a present for my oldest niece began miserably, as I rejected the idea of clothing, of vapid music or DVDs, of books that seemed either too advanced or not advanced enough. My quest became frantic as the deadline (three days out, the maximum allowed if I expected the gift to be delivered on time by the U.S. Postal Service) loomed. Then, casting about desperately on Amazon, I discovered:



(Photo courtesy of Amazon.com)

Rory’s Story Cubes. A simple but powerful concept for storytelling. Nine six-sided dice with 54 different images on each face. You roll the dice, and use the images that come up as the links to create your own story. You can use the pictures on the six sides of every die to create a nice outline for any storyteller to follow. The basic set contains nine dice, for over a million different potential results. Not quite a million monkeys typing on a million typewriters and coming up with Hamlet, but certainly a boon for possible ideas. Fun. Educational. Thought-provoking. Inspiring. Perfect. 

My problem solved (for this niece, at least, for this year, anyway), I exhaled in relief and ordered the basic set as well as the three-dice “Enchanted” and three-dice “Action” accessory sets, and had them shipped 2nd-day air. I brushed the palms of my hands together: finis. Now my niece could create story after story on her own. Not only could the gift be fun for her but it could also exercise her burgeoning creativity. Pretty cool. She could practice creating stories using the dice as prompts as a way to develop her writing muscles. Work masked as fun.

I could relate. I knew all too well that to become a writer you had to work hard, put in the time, show the discipline, exercise that muscle. Goodness knows it was still a struggle for me. Sure, I’ve written a novel, but only one. Only one, because I suck. I use any excuse not to write. I’d been procrastinating and stalling on my next one, trying desperately to figure out a prompt of my own…

(Lightbulb)

A gift for her could be a gift for me.

Yeah, I know. Writing a novel based on a roll of pictured dice. If I told him the plan, William Faulkner would've taken a sip of bourbon, then spit it right in my face. Pretty lame. A cheap gimmick, yup. I don’t care.

And: not original. If I told her the plan, Virginia Woolf would've taken one of those rocks out of her pockets and thrown it in my face. A quick search on the Internet shows that I won’t be the first to try this. Here are a couple of blogs that discuss the same idea:



I don’t care. I suck because I procrastinate. Whether procrastination comes from fear or perfectionism or sheer laziness, I need to knock it off. Whatever gets me productive, I’ll take it.

So when I called my niece on her birthday to a)confirm she had gotten the gift (these confirmations sometimes prove tricky) and b)confirm she enjoyed the gift, I requested that she do me a favor c):

Roll the story dice and arrange them in an order. I would then write a novel based on that result.

After a brief negotiation over terms (some felt my niece was entitled to a co-authorship and a lion’s share of any future profits; she has settled for a “Story by” credit with renumeration to be determined at a later date, most likely in the form of a very nice dinner at the restaurant of her choice), last Saturday my niece rolled Rory’s Story Cubes and arranged them.

The result was (go L-to-R, top row down):


Uh. Okay?

When I was in college, my friends and I would spend long nights playing the card game “Hearts.” Each and every round when the cards were dealt, it became a point of pride for everyone, upon receiving their cards, to loudly complain about the horrible hand they were dealt. “These are awful!” “What a steaming pile of crap!” “I have, the worst, cards! The worst cards ever!”

A quarter-century later, Rory’s Story Cubes has made me nostalgic.  I mean, look at those dice. Look at them! What the hell am I going to come up with using that? I’m not going to go so far as to accuse my niece of deliberately sand-bagging me, but I feel backed in a corner already. At the same time, however, I do feel challenged to come up with something interesting from that pile of crap. I feel excited to prove that I can come up with something worth reading based on those nine dice. I liked how-to-write-a-book-now.com’s outline vis-a-vis the cubes:

Cube 1: Inciting Incident
Cube 2: Setup (At this point, I will ask my niece to roll one of her “Action” dice, and incorporate the result into the story.)
Cube 3: First Turning Point
Cube 4: Complication( At this point, I will ask my niece to roll one of her “Enchanted” dice, and incorporate the result.)
Cube 5: Second Turning Point/Point of No Return
Cube 6: Build Towards Crisis (At this point, I will ask my niece to roll another “Action” die, and incorporate the result.)
Cube 7: Crisis
Cube 8: Move to Resolution (At this point, I will ask my niece to roll another “Enchanted” die, and incorporate the result.)
Cube 9: Resolution/Outcome

…so I’m going to use that as my clothespins on the line for now. I reserve the right to alter that structure, however. That’s kinda the point, isn’t it? Fly by the seat of my pants, write without a net, see where the pressure takes me? The more I think about it, the more intrigued I am about what story I will create from that pile of mess.

Not only that, but asking my niece to roll the dice put her in a position where I was accountable to her to actually, you know, write the thing. By avowing on the Internet my intention, I make myself accountable to the three people who read this blog, too. As my guilt and my fear have proven to be the most effective motivations, fear over disappointing my niece and three strangers, and the prospect of the resulting guilt might combine to be the most motivational cocktail ever to get me to write my next novel. Perhaps cheap, but also perhaps effective. I’m not above that, and I’m not above gimmicks. But...

Tomorrow:
...One gimmick doesn’t seem like enough. 

Wednesday, October 28, 2015

Sophisticated Rogue Update

Hey. Hi. Nice to see you. Yeah, it's been awhile. Six months. Yeah, I get that. Six. Yeah, I'm sorry. I know.  Okay.

Huh? Well, I've been back in the United States for just over six months now, bouncing back and forth from Los Angeles, CA to Boise, ID, around the midwest, and now Philadelphia, PA. I'm trying to figure out what the next step is (spoiler alert: (shrug)), trying to get some things down on paper, trying to decide what creative projects I want to complete next, and decompressing from what was an amazing trip that's only gaining in meaning to me the further I get away from it.


But six months seems like more than enough time to take off from this blog, so let this serve as a re-acquaintance, maintenance, etc. Few things:


1. If you look at the toolbar, you'll see a page marked "Rogue Trip - Full". I've gone through all of my posts during my trip around the world, compiled all of my writings ("Travel Dispatches," "Rogue Trip Playlettes," and various other thoughts), and put them in chronological order. It came out to 86 single-spaced pages, which surprised the Hell out of me. Like three of those pages are actually interesting! Seriously, as I compiled the posts I read some of them, and they did bring a smile to my face. I've been writing about the trip since I've returned to the United States in the hope that something tangible (a book, play, whatever) will emerge from my memories of 27 countries in ten months. Having the written posts all in order did start to make the narrative congeal for me. Maybe you'll enjoy the congealing, too. 


Next, I'll be breaking them up into individual posts on the page, tagging them, etc. for easier navigation.


2. I'm heading back to Los Angeles next week, where I'll begin rehearsals for the re-mounting of The Sophisticated Rogue, a play I wrote and first mounted at Zombie Joe's Underground Theatre in 2006. Then I directed but this time I'm actually acting in it, a terrifying prospect. I'll be sure to pass along more information as it emerges, but for now know it'll run for three Saturday performances only - December 5th, 12th, and 19th at 8:30pm. Also, I'll be maintaining sort of a "production diary" during rehearsals on this blog, just to capture the magnitude of my fear and anxiety of performing the largest role I've ever done... 


3. If you've arrived at this page on your own, be sure to "like" Sophisticated Rogue Media on Facebook, and follow me @NobleJester on Twitter (I'm consolidating my Twitter into just one account). If you have friends who might like my stuff, let 'em know.


4. I'm going to be posting on the blog more often, updating everyone on my creative stuff, and bringing people along on some ideas that I want to complete, so be sure to check back to see what's up.


5. I would like to thank everyone who checked out the blog during my trip. I was away for a long time, and the encouragement I received from people who enjoyed what I posted was a huge help in getting me through it. I'm glad you could watch my journey, in a way. But traveling was only the first part of the "trip." Now that I'm back, the second part is to have my travels prompt me to greater art, to become more productive and grow as a writer. Hopefully you'll continue to watch as the journey continues.

Monday, April 6, 2015

Friday, April 3, 2015

#RogueTripSOTD - 03.04.2015

International Arrivals, San Antonio International Airport, San Antonio, Texas,
United States of America - 03.04.2015, 4p

#RogueTripPOTD - 03.04.2015

San Antonio, Texas, United States of America - 03.04.2015, 4p

#RogueTripPlaylette 03.04.2015 - "Re-Entry"

INT. SAN ANTONIO INTERNATIONAL AIRPORT - INTERNATIONAL ARRIVALS - AFTERNOON
(Motioned from the head of the line, BILL approaches the CUSTOM AGENT, sitting behind his kiosk. Bill hands over his passport and his United States Customs Declaration Form.)
BILL: How’re you doing?
AGENT: Good, good. How’re you?
BILL: I am fine.
(The agent looks at Bill’s passport, then runs it through the scanner.)
AGENT: What brought you to Mexico? Business or pleasure?
BILL: Pleasure. Actually the end of traveling-
AGENT: Uh-huh.
(The agent thumbs through Bill’s passport.)
AGENT: You know, if you travel this much, you should look into our Global Entry Program.
(He searches and finds a business card and hands it to Bill.)
AGENT: It’s really useful for people who travel a lot. You can just go to one of the automatic kiosks and process yourself right through. You should think about it.
BILL: Yeah, thanks a lot. I’ve been traveling for nine straight months, though. I don’t think I’m gonna be traveling much more in the near future. It was amazing but I'm probably gonna take a break for a little bit.
(Pause.)
AGENT: You should really look into it; it’s a great program.
BILL: Cool. I’ll look into it.
(Pause.)
BILL: Oh, is that it?
AGENT: Yup. Take care.
(Bill walks away from the kiosk, and back into the United States of America.)